UA-81275160-1 Thomas Sydney Cooper 1839 Book of Cattle Subjects - Hart Paintings


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Thomas Sydney Cooper 1839 Book of Cattle Subjects

£900.00 £400.00

Thomas Sydney Cooper 1839 Book of Cattle Subjects

Born 1803 Died 1902

Size 19.25 ins (488 mm) by 13.128 ins (333 mm)

22 Pages of heavy paper as Per Images with Oil Cloth End Covers


Thomas Sidney Cooper

Thomas Sydney Cooper

Thomas Sidney Cooper born in St Peter’s Street in Canterbury, Kent,[1] and as a small child he began to show strong artistic inclinations, but the circumstances of his family did not allow him to receive any systematic training. By the time he reached the age of twelve , he was working in the shop of a coach painter. As he became older he also worked as a scene painter; and he alternated between these two occupations for about eight years. He felt a desire to become an artist. and spent all his spare time drawing and painting from nature. At the age of twenty he went to London, drew for a while in the British Museum, and became as a student of the Royal Academy.

He returned to Canterbury, and earned a living as a drawing-master and by the sale of sketches and drawings. In 1827 he settled in Brussels and married; there he met Eugène Joseph Verboeckhoven. Because of the Belgian Revolution he returned to London, and by showing his first picture at the Royal Academy (1833) began an unprecedentedly prolonged career as an exhibitor. For the competition to decorate for the new Houses of Parliament, to be held at Westminster Hall in 1847, Cooper submitted The Defeat of Kellermann’s Cuirassiers and Carabiniers by Somerset’s Cavalry Brigade at Waterloo, June 18, 1815, without success.[2] In order to complete the picture, the artist used Siborne’s model of the battlefield then on exhibition in London, while a friend in Brussels sent him breastplates worn by the various cavalry regiments, and a trooper of the Life Guards acted as a model.

Cow Cooper

He mainly produced pictures of cattle or sheep, a fact that earned him the epithet ‘Cow Cooper’. Cooper collaborated between 1847 and 1870 with Frederick Richard Lee R.A. on several paintings, Lee undertaking the landscapes, and Cooper adding animals to complete the scene.[3] He became elected an Associate of the Royal Academy (ARA) in 1845 and Royal Academician (RA) on 22 June 1867.[4] The oldest member of the Royal Academy of Arts at the time of the accession of King Edward VII in 1901, Cooper was in July 1901 received by the King in audience,[5] and appointed a Commander of the Royal Victorian Order (CVO).[6]

Thomas a great philanthropist in Canterbury. And used some of his wealth to distribute bread and coal to the poor at Christmas. The Alms Houses in Chantry Lane Canterbury are wrongly attributed to him as they were donated by Thomas Sankey Cooper and his brother Henry.[7]Most notably in 1882 he developed his private art lessons into a full-fledged art school in Canterbury, located at his home and studio in St Peter’s Street. Originally called the Canterbury Sidney Cooper School of Art, Cooper’s art school is still in existence although it is now called the University for the Creative Arts.[8] Amongst Cooper’s more well-known students Mary Tourtel, creator and illustrator of the Rupert Bearbooks for children.

My Life

He wrote his reminiscences, under the title of My Life, in 1890. The largest public collection of Cooper paintings is owned by Canterbury City Council and housed at the Beaney House of Art & Knowledge in Canterbury. Examples are also held by the Tate Gallery, London, and the Victoria and Albert Museum, London, and other public collections, mainly in Britain.




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